As I stated in part 2, I'm all but certain that I discovered Taraf de Haïdouks by stealing their music in a shot-in-the-dark gesture on Hotline, something that led me to discovering Fanfare Ciocărlia in a rather roundabout way more than a decade later. For undescribed reasons I also questioned in part 2 whether I had aptly stolen Taraf de Haïdouks' music, which I'll now try and explain.

As recently stated by Costică “Cimai” Trifan, one of Fanfare Ciocărlia's four trumpet players and two lead vocalists, "we have a saying in Gypsy language: 'A good musician is stealing everywhere whatever

As put by Ioan Ivancea, the late patriarch of the Romanian Gypsy brass band Fanfare Ciocărlia,

Our ancestors were serfs for the local Boyar from Dagița [a neighbouring village] and were living on the steeps of the surrounding mountains. This was such a harsh experience, people struggled to carry water and firewood to the camp, so one day the tribe elder approached the Boyar and asked for a space in the valley. The Boyar was a good man and gifted them ten fields in the valley to live. Zece Prajini's name translates as Ten Fields. Since then all the families

Back before I'd discovered Fanfare Ciocărlia and was (almost contently) listening to nothing but Taraf de Haïdouks, Kočani Orkestar, and their Band of Gypsies combo act, I spent some time doing a bit of research on them all (if bouncing around the Internet counts as research) and came across a Romanian event called the Balkanik Festival which the Band of Gypsies was headlining the following month. As the festival's website stated, "Both bands will join their instruments and forces in a never-before-heard repertoire". I took that to mean an upcoming Band of Gypsies 3 album and tour, and although I

When I finally made the first steps to end my abstention after more than ten years in the "musical wilderness" – where I of course overheard music on many occasions but didn't actually own any myself nor even so much as turn on a radio – there really wasn't any doubt as to which was the only group of musicians I'd heard in the past that I had any interest in listening to again: Taraf de Haïdouks. And in particular, their (2001) album Band of Gypsies.

The album isn't a play on Jimi Hendrix's ensemble but reflects the fact that Taraf de