Movie Un-Review | Wendell Berry, the Not-Quite Rock Star Seer

To see, or not to see the new Wendell Berry documentary, that is the question

Three years ago I had the pleasure to attend a talk between Wendell Berry and Wes Jackson at Cooper Union in New York City (my first time in New York City as an adult, which was a story in itself), moderated by New York Times columnist Mark Bittman. Wanting to quote a particular exchange between Berry and Jackson for a recent post here on From Filmers to Farmers I listened to the audio recording of the event to transcribe what I was after. While I was able to locate the sought after passage, I was aghast to find out that

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World Electioneering Entertainment 2016: 1,000 Years of Energy Independence and the Greatest Con Ever?

Could Trump be playing a WEE character in order to distract the citizenry from peaking energy supplies and the collapse of industrial civilization? [part 1/3]

As probably anyone will attest, the greatest spectacle of the past year – if not of the past eon – has been none other than the United States presidential election, something that I now like to refer to as World Electioneering Entertainment (WEE). Because to properly understand this election (and its nascent title) requires, I believe, an understanding of the WWE – World Wrestling Entertainment. I've personally never had a liking for any of that wrestling stuff, but I am nonetheless intimately familiar with it all thanks to an old high school friend of mine – who goes by the nom de plume of

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It's Time We Divest From the Pipelines – the Pipelines of Film and Television

Thanks to all the knock-on effects, there's possibly no greater change we could make in our lives to combat fossil fuel consumption (and thus climate change) than ditching film and television [part 4/4]

You don't need to tell me that some people out there take film rather seriously. Sometimes ridiculously seriously – "film for film's sake, art for art's sake!" Fortunately, and as far as I'm aware, Naomi Klein and Avi Lewis only fall into the former category. Nonetheless, in a conversation with Amy Goodman and Juan Gonzalez of Democracy Now! that followed the release of the Leap Manifesto and the documentary This Changes Everything, Klein, Lewis and Gonzalez pretty much trip over each other while extolling the amazing things that film can (supposedly) do:

Klein: I think the thing that a film can

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Live by the Camera and TV Screen, Die by the Camera and Movie Screen

Do film & television provide a net befefit, or might they actually result in an overall loss when it comes to climate change & other major problems of ours? [part 3/4]

Ask around and you'll eventually come across somebody that will tell you that (in certain respects) film schools are a waste of time and money. Frankly, you can count me as one of those people, although I don't say that as somebody who attended the Film Studies program at Ryerson University in Toronto for four years (which last I heard was the most competitive of all university programs in Canada to get into, although perhaps that was just an urban rumour). I say that as somebody who prior to attending university figured that although practice is generally a very useful

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What Do Climate Change Films Teach Us About Climate Change?

Do climate change films assist us in reducing our fossil fuel consumption or pacify us into watching ever more film and television and spewing out more CO2?

If you'd like, I'm what you'd call an ex-(aspiring)filmmaker, an early vanguard of what promises to be, in one way or another, an eventual mass exodus from the film and television industries. I won't go into my reasoning behind film and television's future demise here, but suffice to say, if left to its own devices, the future of film and television is in the hands of peak oil and the collapse of industrial civilization.

The reasons for why I quit the industry are wide and varied, ranging from a strong dislike of narcissism, an aversion to big business

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